adrienne danyelle oliver is a poet-educator, hip-hop scholar from Little Rock, AR currently living in the SF Bay Area. Her previous work has appeared in Storytelling, Self & Society (Wayne State University Press, 2018), Patrice Lumumba: An Anthology of Writers on Black Liberation (Nomadic Press, 2021) and Write Now! SF Bay’s Anthology Essential Truths: The Bay Area in Color (Pease Press, 2021). She has two chapbooks, collective madness (Finishing Line Press) and the body has memories (Nomadic Press) forthcoming in 2022. Some of adrienne’s favorite authors include Maya Angelou and Toni Morrison. When she is not writing, adrienne is reading or watching documentaries. She also leads a monthly healing writing circle for Black women.
Dr. Allison E. Francis, a Professor of English, and Coordinator of the English Department at Chaminade University of Honolulu in Hawaii, teaches and publishes scholarship on a range of topics, which include Victorian Literature, Scottish Literature, Theatre and Poetry,19th Century African American and Caribbean Women’s Literature, Vodou in Haiti, and Women’s Literature, with a focus on science fiction and fantasy. Her poetry has been anthologized in African American Wisdom, and most recently, in Bamboo Ridge Press’s Kīpuka: Finding Refuge in Times of Change, released in October 2021. Allison is also an actor, director, playwright, and a performance poet. She archived a short play on The Breath Project 2020, and Youtube.com, that commemorates the death of George Floyd: Chocolate Cake (8:46). Recently, Allison published a volume of collaborative, renshi poetry, Mulatta—Not So Tragic (2021), with Oakland-based, poet-activist Karla Brundage.
About the HOST
The host for this 5th event is TBD. Kevin Dublin hosted our most recent Better Ancestors event. Kevin is a writer of poetry, prose, scripts, and code originally from the small town of Smithfield, NC. His words have recently appeared in The Racket, Cincinnati Review, North Carolina Literary Review, Sparkle + Blink, and he is author of the chapbook How to Fall in Love in San Diego (Finishing Line Press, 2017). Kevin holds an MFA from San Diego State, leads workshops all over the bay area, including Litquake’s Elder Writing Project, and enjoys making video adaptations of poetry and developing web apps for writers.
About the series
One of Quiet Lightning’s efforts to diversify and move toward racial equity, Better Ancestors is a new quarterly showcase of writers of color. Developed in partnership with Michael Warr, the series features 5 authors reading or performing whatever they choose. Each author selects one performer for the following show, so the series – and community – is self-generating. All authors are paid and published in an end of the year anthology.
Why Better Ancestors? As one of our initiatives to diversify from a board that has historically been mostly white, this showcase aims to provide a long-term, forward-thinking goal. As a society, we are suffering the consequences of pervasive systemic injustice against people of color, queer and trans people, the poor, disabled, and otherwise disadvantaged. But we are all ancestors of the future. If the planet is to remain inhabitable; if the function of humanity is not to sort and oppress our descendants based on their skin color, accent, or material property, we must be better ancestors. This begins by listening to one another, and by giving each other space to be heard.
About Michael Warr
About Quiet Lightning
Now in its 12th year, Quiet Lightning is a literary movement to create and foster community around the written and spoken word. QL aims to democratize public space by offering performances, curation opportunities, and programming with no barriers to entry, providing a launchpad for new and emerging artists, a reliable platform for professional writers, and an inclusive, accessible gathering place for the public. QL is committed to care-taking and progressing the rich threads of literary culture that exist in the San Francisco Bay Area. Recognized by the Yerba Buena Center for the Arts as one of the 100 “people, organizations, and movements who are shaping the future of culture”, Quiet Lightning’s flagship is the literary mixtape, a submission-based series with a blind selection process and different curators for each show. The shows, which are free to attend, are published as books, handed out free to the first 100 people, and all participating artists are paid. QL has now produced 143 shows featuring 1,744 readings by 928 local authors in 91 venues, ranging from dive bars and art galleries to state parks and national landmarks, and has published 116 books and produced two films, all selected by 76 different curators. In 2019, Quiet Lightning pioneered an application process for limited-term board-membership, called Disruptors, to regularly bring new ideas and energy into the organization. QL maintains Litseen.com, a daily calendar of literary events.
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